Of Moss & Malice: An Autumn Bog Witch Style Guide
Folklore-inspired fashion for wandering woods and weathering the cold
By: The Lace Ledger Staff
Every village has a story about a mysterious woman who lives beyond its borders.
She inhabits the cottage at the edge of the woods, where the trees grow crooked and the ground never quite dries. Some say she can cure an illness. Others insist she caused it. Children are warned against wandering too close, though nobody can agree on what happens to those who do…
Meet the Bog Witch.
Inspired by the fearsome women of European folklore, from Baba Yaga's forest dwelling to the Puritan nightmares of VVitch, this darker interpretation of woodland dressing borrows from the wardrobes of women who lived and worked close to the land. Coarse linen, heavy wool, weathered leather and layers built to withstand the elements form the foundation, accompanied by the colours of peat, moss, stagnant water and decaying vegetation.
For late autumn, the Bog Witch emerges in substantial cloaks, long skirts, knitted hoods and boots made for difficult terrain. Her clothing carries the marks of practical use, with a few peculiar embellishments suggesting that the stories told about her might contain a grain of truth.
Staying Close to the Magic: Inside the Creative World of Louise Bruun
The acclaimed Hair and Make-up Designer on trusting her instincts and remaining a student of her craft
By: The Lace Ledger Staff
Louise Bruun was 19 when Nicolas Winding Refn asked her to work on his first feature, Pusher. She had never done it before, but agreed anyway, kicking off her creative career. One of the actors in her chair was another newcomer: Mads Mikkelsen.
Decades later, Bruun is still saying yes to the creative unknown. Only now, she brings a formidable career’s worth of experience with her.
Her work has moved between the immediacy of fashion and the permanence of film, teaching her to trust an instinct while continually sharpening it. On a major production, she keeps herself close to the lens, where creative decisions can evolve alongside the scene in “reel” time. When a project changes course, she changes with it. After decades spent creating extraordinary aesthetics, she still considers herself a student of her craft.
That willingness to adapt is central to Bruun’s process. She arrives with an informed point of view but remains open to what other artists bring to it, allowing the project to take shape through collaboration.
Her latest film with Refn, Her Private Hell, offers a spectacular canvas for that philosophy. The film draws Bruun back into the horror that first captivated her as a teenager, now with a wealth of experience across fashion and film to draw from.
We spoke with Bruun about trusting her creative instincts and the creative possibilities that emerge when artists inspire one another.