Current Issue
Dress Rehearsal
September 2026
Culture is a living, breathing retrospect; a flesh-and-blood temperature check of the times. What we watch reflects the ideas already occupying our minds, while what we wear becomes a tangible expression of the concepts we hold dear. Given enough distance, those choices become artifacts of an era, preserving pieces of who we were and what mattered to us at the time.
With TIFF taking over Toronto, we found ourselves considering just how the many facets of culture are captured on screen. We spoke with Sarah Runnalls and Louise Bruun about the alchemy of aesthetics, and its integral role in building character in film and series. We looked in the rear-view at the festival debuts that became cinematic canon, then turned our attention to the stories preparing to meet their first audiences in theatres this year.
With Alexis Pharae, we found that same cultural exchange playing out in the real world. Her work within Vampyre culture occupies a fascinating space where ancient folklore becomes modern-day lived experience, shaped by people who found themselves reflected in the spirit of its community.
FW26 couture collections offer another perspective. Fashion is art made in real time, shaped by the culture surrounding it and destined to become part of the record we leave behind. The collections have us wondering what future fashion historians will see when they look back at this moment, particularly as dark feminine dressing grows increasingly assertive while beauty becomes stranger amid a renewed appetite for glamour.
We watch. We absorb. We interpret. And sometimes, without realizing it, we step into the picture ourselves.
For free, subscribe below and/or read the full issue digitally here.
With devotion,
Amanda
Cover: courtesy of Alexis Pharae shot by Ben Rekemeyer Photography
Feature Articles
Cover Story: An Architect of Endless Night: Alexis Pharae, Steward of Old-World Decadence
When folklore becomes culture, somebody had to build the ballroom
By: The Lace Ledger Staff
In 2026, the concept of a grand ball seems like something borrowed from the pages of a storybook. We imagine gowns sweeping across polished floors beneath the glitter of chandeliers, every guest dressed magnificently for the occasion. An extravagance from another age, preserved in old novels and period films, but absent from modern day life.
And yet, once a year, such a night awaits those fortunate enough to cross the threshold of Endless Night New England.
Several hundred guests arrive having spent months preparing for the occasion. Corsets are laced. Fangs catch the low light. Music spills across a ballroom transformed so completely that, until morning, the outside world feels centuries away.
An initiated Vampyre Priestess and the co-producer of the iconic Endless Night New England Vampire Ball, Alexis Pharae spends much of the year creating the elaborate gatherings that bring this international subculture together. In Salem, she and business partner Benjamin Addam are also proprietors of Vampfangs, the storied and beloved Salem institution that has been fitting fangs since 1993, now serving a broader culture through fashion and events.
We has the pleasure of speaking with Pharae about finding her place within Vampire culture and the role she now plays in shaping its future.
Admit One: Gothic Guide to TIFF 2026
12 screenings and experiences to make the most of Toronto’s biggest celebration of cinema
By: The Lace Ledger Staff
For nearly two weeks each September, Toronto becomes one of the most exciting places in the world for cinephiles. TIFF may be famous for red carpets and awards-season premieres, but its programme reaches much further, bringing television to the big screen and experimental filmmaking into the conversation alongside horror that demands a midnight audience. Add live discussions with the people shaping what we watch next and a city that enthusiastically joins the party, and there are countless ways to experience the festival beyond chasing its biggest ticket.
To help you plan accordingly, we’ve curated a gothic guide to some of the festival’s most compelling dark storytelling, with a few appropriately cinematic ways to spend the hours between screenings.
Dressing the Part: Costume Designer Sarah Runnalls on Yaga and the Visual Language of Character
Inside the creative process behind Yaga in anticipation of its TIFF 2026 premiere
By: The Lace Ledger Staff
Before Sarah Runnalls was dressing characters for the screen, she was raiding her parents’ linen closet. As a teenager, no bedsheet was safe. Runnalls would take whatever fabric she could get her hands on and turn it into something she could wear, eventually making pieces for friends and selling her creations to local boutiques. She already understood fashion as a form of storytelling: each morning offered another opportunity to decide how you wanted to present yourself to the world.
That instinct would eventually take her from fashion school to Vancouver Fashion Week, where her Sarah Runnalls Collection earned her an Emerging Designer Award. Her work with iconic Canadian drag queen Jimbo introduced another dimension to her designs, beginning with costumes for local theatre before their creative paths led into film and television.
Her latest project, Yaga, gave her particularly rich material to explore. Created by Kat Sandler, the series reimagines a folklore figure whose image has been shaped by centuries of storytelling. Rather than reaching for the familiar visual shorthand of the witch, Runnalls helped create modern women whose power and confidence are embedded in how they present themselves. The female gaze became an important creative guide, resulting in a visual identity that feels contemporary while leaving room for some cleverly placed cinematic references.
With Yaga premiering at TIFF 2026, we spoke with Runnalls about the creative process behind bringing its characters to life and the unexpected path that brought her from making one-of-a-kind fashion to designing entire identities for the screen.
From the Festival Archives: Where Iconic Dark Cinema Made Its Debut
20 films that left the festival circuit destined for cult status
By: The Lace Ledger Staff
There’s a special kind of thrill in seeing a band in a tiny venue before the rest of the world catches on. Film festivals offer cinephiles their own version of that feeling. Every year, audiences take their seats without knowing that the film about to begin could become a future classic—or that the actor on screen might be giving the performance everyone will soon be talking about. Looking back through festival history makes those first screenings even more fascinating.
These 20 films arrived on the circuit before finding a much larger audience and earning their place in the dark cinema canon.
Past Issues
About Us
The Lace Ledger is a dark feminine field guide to style, culture and the arts. Inspired by soft goth aesthetics with an eye for the beautiful and strange, we explore the people and ideas shaping life on the moodier side of the culture.
Founded by writer and poet Amanda Albert, The Lace Ledger grew from a desire for a publication where alternative tastes could be treated with the same depth and editorial curiosity afforded to the mainstream.
Here you’ll find:
Style — Seasonal style, trend reports and beauty with soft goth sensibility.
Literature + the Arts — Poetry, reading lists and conversations with the creatives behind the work.
Culture — Film and music, with plenty to add to your watch list.
House & Haunt — Moody interiors and darkly refined entertaining.
Travel — City guides and places worth visiting.
Gift Guides — Curated finds for every occasion.
Work With Us
Reach out with your latest product launches, brand news story ideas, finished work or pitches. We’re here to create thoughtful partnerships.
We welcome collaborations with brands, creators, artists, writers and experts who share our taste for the uncommon.