Dressing the Part: Costume Designer Sarah Runnalls on Yaga and the Visual Language of Character
Inside the creative process behind Yaga in anticipation of its TIFF 2026 premiere
By: The Lace Ledger Staff
Before Sarah Runnalls was dressing characters for the screen, she was raiding her parents’ linen closet. As a teenager, no bedsheet was safe. Runnalls would take whatever fabric she could get her hands on and turn it into something she could wear, eventually making pieces for friends and selling her creations to local boutiques. She already understood fashion as a form of storytelling: each morning offered another opportunity to decide how you wanted to present yourself to the world.
That instinct would eventually take her from fashion school to Vancouver Fashion Week, where her Sarah Runnalls Collection earned her an Emerging Designer Award. Her work with iconic Canadian drag queen Jimbo introduced another dimension to her designs, beginning with costumes for local theatre before their creative paths led into film and television.
It was there that clothing took on a different responsibility. A beautiful garment became representative of a character’s history and storyline, revealing a world of information before a line of dialogue is uttered. Runnalls became fascinated by the precision of that process and the way a character could evolve visually from scene to scene.
Her latest project, Yaga, gave her particularly rich material to explore. Created by Kat Sandler, the series reimagines a folklore figure whose image has been shaped by centuries of storytelling. Rather than reaching for the familiar visual shorthand of the witch, Runnalls helped create modern women whose power and confidence are embedded in how they present themselves. The female gaze became an important creative guide, resulting in a visual identity that feels contemporary while leaving room for some cleverly placed cinematic references.
With Yaga premiering at TIFF 2026, we spoke with Runnalls about the creative process behind bringing its characters to life and the unexpected path that brought her from making one-of-a-kind fashion to designing entire identities for the screen.
Laced Up: 18 Iconic Corsets from Film & Television
From Scarlett O'Hara to Xena, these are the underpinnings that stepped beyond the screen and into fashion history
By: The Lace Ledger Staff
Few garments have worked harder in film than the humble corset.
For more than a century, costume designers have used it to communicate everything from power and ambition to romance, rebellion and utter ruin. A single tightening lace can signal the expectations placed upon a young woman. A structured bodice can transform a queen into a monarch of the ages, a vampire into a legend or a showgirl into an icon. Long before a character speaks, the corset often tells us exactly who they are.
Some became inseparable from the stories themselves. Scarlett O'Hara's lacing scene in Gone with the Wind remains one of the most famous moments in Hollywood history while Satine's ruby corset came to define an entire era of fashion when donned by Nicole Kidman in Moulin Rouge.
From gothic heroines and doomed aristocrats to pirates, vampires and queens, these are a few of our favourites.